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O, That this too too solid flesh would melt,
- Thaw, and resolve itself into a dew.
Frailty, thy name is woman!
- Thrift, thrift, Horatio! The funeral bak'd meats
- Did coldly furnish forth the marriage tables.
- Do not, as some ungracious pastors do,
- Show me the steep and thorny way to heaven,
- Whiles, like a puff'd and reckless libertine,
- Himself the primrose path of dalliance treads.
- And recks not his own rede.
Ophelia, Act I, scene iii
- Neither a borrower nor a lender be:
- For loan oft loses both itself and friend.
Polonius, Act I, scene iii
- This above all to thine ownself be true;
- And it must follow, as the night the day,
- Thou canst not then be false to any man.
Polonius, Act I, scene iii
Something is rotten in the state of Denmark.
Marcellus, Act I, scene iv
- There are more things in heaven and earth, Horatio,
- Than are dreamt of in your philosophy.
More matter with less art.
Gertrude, Act II, scene ii
- Doubt thou the stars are fire;
- Doubt that the sun doth move;
- Doubt truth to be a liar;
- But never doubt I love.
There is nothing either good or bad, but thinking makes it so.
What a piece of work is a man! How noble in reason! how infinite in faculty! in form, in moving, how express and admirable! in action how like an angel! in apprehension how like a god! the beauty of the world! the paragon of animals! And yet, to me, what is this quintessence of dust? man delights not me; no, nor woman neither, though, by your smiling, you seem to say so.
Use every man after his desert, and who should 'scape whipping?
O! what a rogue and peasant slave am I!
- The play's the thing,
- Wherein I'll catch the conscience of the king.
- We are oft to blame in this,
- 'Tis too much prov'd, that with devotion's visage,
- And pious action, we do sugar o'er
- The devil himself.
Polonius, Act III, scene i
- To be, or not to be, that is the question:
- Whether 'tis nobler in the mind to suffer
- The slings and arrows of outrageous fortune,
- Or to take arms against a sea of troubles,
- And by opposing end them? To die, to sleep,
- No more; and by a sleep to say we end
- The heart-ache, and the thousand natural shocks
- That flesh is heir to, 'tis a consummation
- Devoutly to be wish'd. To die, to sleep;
- To sleep, perchance to dream: ay, there's the rub;
- For in that sleep of death what dreams may come,
- When we have shuffled off this mortal coil,
- Must give us pause: there's the respect
- That makes calamity of so long life;
- For who would bear the whips and scorns of time,
- The oppressor's wrong, the proud man's contumely,
- The pangs of despis'd love, the law's delay,
- The insolence of office, and the spurns
- That patient merit of the unworthy takes,
- When he himself might his quietus make
- With a bare bodkin? who would these fardels bear,
- To grunt and sweat under a weary life,
- But that the dread of something after death,
- The undiscover'd country, from whose bourn
- No traveller returns, puzzles the will,
- And makes us rather bear those ills we have
- Than fly to others that we know naught of?
- Thus conscience does make cowards of us all;
- And thus the native hue of resolution
- Is sicklied o'er with the pale cast of thought;
- And enterprises of great pith and moment,
- With this regard, their currents turn awry,
- And lose the name of action.
Rich gifts wax poor when givers prove unkind.
Ophelia, Act III, scene i
I say, we will have no more marriages: those that are married already, all but one, shall live; the rest shall keep as they are.
The lady doth protest too much, methinks.
Gertrude, Act III, scene ii
Why, look you now, how unworthy a thing you make of me. You would play upon me; you would seem to know my stops; you would pluck out the heart of my mystery; you would sound me from my lowest note to the top of my compass; and there is much music, excellent voice, in this little organ, yet cannot you make it speak. 'Sblood, do you think I am easier to be played on than a pipe? Call me what instrument you will, though you can fret me, you cannot play upon me.
Hamlet, Act III, scene ii
- Tis now the very witching time of night,
- When churchyards yawn and hell itself breathes out
- Contagion to this world: now could I drink hot blood,
- And do such bitter business, as the day
- Would quake to look on.
Hamlet, Act III, scene ii
- Let me be cruel, not unnatural;
- I will speak daggers to her, but use none.
Hamlet, Act III, scene ii
- My words fly up, my thoughts remain below;
- Words without thoughts never to heaven go.
Claudius, Act III, scene iii
- When sorrows come, they come not single spies,
- But in battalions.
Claudius, Act IV, scene v
Alas! poor Yorick. I knew him, Horatio; a fellow of infinite jest, of most excellent fancy; he hath borne me on his back a thousand times; and now, how abhorred in my imagination it is! my gorge rises at it. Here hung those lips that I have kissed I know not how oft. Where be your gibes now? your gambols? your songs? your flashes of merriment, that were wont to set the table on a roar? Not one now, to mock your own grinning? quite chap-fallen? Now get yet to my lady's chamber, and tell her, let her paint an inch thick, to this favour she must come; make her laugh at that.
- Lay her i' the earth:
- And from her fair and unpolluted flesh
- May violets spring!
- There's a divinity that shapes our ends,
- Rough-hew them how we will.
The rest is silence.
- Now cracks a noble heart. Good-night, sweet prince;
- And flights of angels sing thee to thy rest.
More William Shakespeare Quotes
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